Doom is a series of first-person shootervideo games developed by id Software. The series focuses on the exploits of an unnamed space marine operating under the auspices of Union Aerospace Corporation (UAC), who fights hordes of demons and the undead in order to survive.
Doom is considered to be one of the pioneering first-person shooter games, introducing to IBM-compatible computers features such as 3D graphics, third dimension spatiality, networked multiplayer gameplay, and support for player-created modifications with the Doom WAD format. Since the release of Doom in 1993, the series has spawned numerous sequels, expansion packs, and a film.
Since its debut, over 10 million copies of games in the Doom series have been sold.
The collaboration commenced with "God Give Me Strength", a commission for the 1996 film Grace of My Heart, directed by Allison Anders, starring Illeana Douglas, with lead vocals by Kristen Vigard. Apparently pleased with the result, the pair expanded the project to this full album, the first for Costello after an absence of two years, and for Bacharach after an absence of 21 years. Lyrics and music are co-credited to both Bacharach and Costello. In his 2015 autobiography, Unfaithful Music and Disappearing Ink, Costello wrote, "To have written a song like "God Give Me Strength" and simply stopped would have been ridiculous, so about a year later we began a series of writing sessions […]."
A companion album, The Sweetest Punch, was made concurrently by jazz guitarist Bill Frisell, released in 1999 on another Universal label, Decca Records. It consists of jazz arrangements of the Painted From Memory songs done by Frisell and his studio group. It features vocals by Costello on two songs, and by jazz singer Cassandra Wilson on two songs, one of which is a duet employing both.
Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.
During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.
Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.
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